CONTENT:
It is hard not to stop proposing a course like this. Due to its success in
the year 2013/14, we feel obliged to propose this third edition!
The special feature of this course is that we will focus on the research
for THERAPEUTIC ARCHITECTURE.
We believe that architecture is part of
specific stories, of affections and dreams, of interpersonal projects, and also
it is the result of a negotiation and the unexpected. This course is built
around a series of articles, "Stories of Houses" (http://storiesofhouses.blogspot.com.es).
We will deconstruct these single-family homes that are classified in the books
of architecture as works of authorship, and give them value to their origins that
belonged to cultural realities.
Since these homes were built during the 20th
Century, the meaning of cultural concept that generated has changed in our
contemporary society. This will allow us to rethink and update these
architectures through transformations, extensions, demolitions, etc.
METHOD:
1. Read STORIES OF HOUSES and selected 3 stories. These are examples of architecture built from the lives of their clients.
1. Read STORIES OF HOUSES and selected 3 stories. These are examples of architecture built from the lives of their clients.
2.
Create a video presentation explaining the criteria of your choice.
3.
Organize groups of 3 students and study the culture that formed two of the
selected houses. From there you have to create two collages by showing the
cultural elements that generated each of the 2 houses.
4.
Observe the evolution of culture in the last 30 years and apply it to one of
your houses. Understand the pass of the time, from the day when the house was
conceived to today, and how the understanding of these cultural concepts has
evolved over the last 20-30 years. Examples are: the concept of access, the
period of mourning, the family structure, construction methods, ways of
working, communication, nutrition, etc. Furthermore, the evolution of the
history of the house has to integrate architectural responses to some
neurodegenerative or metabolic disease suffered by any member of the family.
5.
Add a new End to the Story. This is based on specific facts that you will have
to acquire during your research.
6.
Draw an action/activity, according to the requirements of this cultural
evolution.
7.
Achieve an architecture that fits with the new action/activity.
This is a working method that completes
the experience that began two
years ago in Projects 4: it allows the students to go beyond a formalist approach
and provides a confidence
at the time they are asked to upgrade
the selected example:
http://re-readingstoriesofhouses.blogspot.com.es
http://re-readingstoriesofhouses2.blogspot.com.es
The final exercise consists of creating a
Manifesto. The students are asked to document the work process and to reflect
on the results. The Manifesto will have the format of a book. The role model is
VERB, a series of books by Actar (Barcelona): font, design (form of communication
+ the relationship between text, pictures, diagrams and drawings). This is the
link to the website of the publisher:
http://www.actar.es/
The content of individual book should
show the process of working during the period:
0. The original story of the house
and its drawings.
1. Extract images from video
productions.
2. Reading of the stories and the criteria for selecting a particular one.
3. Photomontages focused on the concepts of the chosen stories - concept
of the 20th Century and its
transformation into the 21st Century.
4. The drawing of the action
showing the cultural element that
made the house of the 20th Century
a house of the 21st Century. Each student must
demonstrate the contribution to the proposal. Therefore, the individual and collective drawing must
be included.
5. The technical drawing - A SECTION OF A DETAIL
- of the action in
the space of the original house. At
this point you can include
details of your classmates in the
case of considering important.
Also, feel free to modify them to
improve them.
6. The most interesting
conversations between team
members, how the arguments are
constructed and you reached a consensus
how to move forward in the proposals.
Finally, it includes an
evaluation/reflection on teamwork/team effort.
7. Bibliography.
8.
Manifesto: you need conclude a summary of your view of Re-reading Stories of Houses.
Note: English will
be the teaching
language.
AIMS:
To acquire knowledge of the following public
interests:
- To detect
new patterns of social organization by linking production with consumption, recognizing how different items are constructed from
the raw material to the finished product.
- To gain
confidence in the teamwork
and to establish multidisciplinary
relationships.
- Moreover,
this exercise provides two focal points: This is a
reflection and it responds to the need of editing the drawings. The students are asked to
return to the original story and
reflect critically what their proposal
offers/adds to the original house. In this way the drawings can be redefined, if
it is necessary, by taking into account
comments from the CRITS.
- Additionally,
the students to
think as an editor who works for
Actar. This means to follow the design of the editorial and to be critical when deciding
which way and how the drawings/writings are selected in a book. The writing style must be academic.
EVALUATION:
It is continuous,
with an evaluation of the project every two weeks, conducted by the teacher and fellow students:
- Qualities
of analysis and deconstruction of a text.
- Identification of the concept of culture in
a home.
- Ability
to draw this concept through an action/event within the house.
- Ability
to develop an idea through different
techniques, scales and materials and to get different views on the project.
- Acquisition of techniques to work in an
international team. Share drawings, googledocs,
googlegroups, and videoconferencing.
TIMETABLE:
12th September to 19th December 2014. Classes:
Fridays from 10:30 to 14:30.
BIBLIOGRAFY AND REFERENCES:
- Series
STORIES OF HOUSES
(http://storiesofhouses.blogspot.com.es/)
- Ettore
Sottsass. Video Interviews
Alessi, 2008.
- Five Obstructions. Film by Lars von Tier and Jørgen Leth, 2003.
- Teddy house
by Andres Jacque. http://andresjaque.net/wordpress/proyectos/teddy-house-coruxo/
- Cedric
Price: The Fun Palace.
- Koolhaas Houselife. Beka Video
I. & L. Lemoine.
jsm
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